Yeah, I think ideas come to me, I think, I have always been interested in just painting faces, and it was really portraits to start with. And now it's kind of more complicated figures, and figures that interact. So that was just always there. I think when I was doing, like, GCSE, which is, I don't know, you're like, maybe 14, 15. I was always wanting to paint portraits of not just and then... I grew up really in the countryside. And so there's a lot about landscape and wild patterns and growth that I'm really trying to bring into my work now. And then also just like loads of artists, I think I find so much inspiration from just finding other work that just is exciting and there's something about it, I can't quite work out why I like it, or how they've done it, which is always very annoying. Yeah, so like, at the start, I was really into kind of really traditional portrait painters, like, really loved Rembrandt and when I was young, and I was really into portraits. I still love Rembrandt, but now there's artists like Colleen Berry... I think like figurative painters who are doing stuff that's quite exciting with like, color and quite exciting with figures. I really, yeah, I feel like seeing something really fresh. Then my mind starts to populate with ideas.